In
hostile countries, CIA case officers use the “Brush Pass” to make physical
exchanges with couriers or with the spies they recruit. They simply "brush"
past one another, typically in a public place and preferably a crowd, where
random people interfere with any visual surveillance. But, if they feel foreign
spies are around they will choose alleyways or narrow corridors. They do not stop
walking; at most, they may appear to bump into one another.
They may execute the exchange with both carrying
identical objects, such as a newspaper, briefcase, or magazine with the information
being exchanged in one of them. As the two people separate, they still appear
to be holding the same object in the same hand.
The seasoned spymasters learn how to pass
sensitive data “baton style” like in a relay race. It
is commonly done with small objects such as a photographic film cartridge. In
this more dangerous method, the transfer is from hand to hand, or from hand
into a pocket. While this technique obviously takes better manual dexterity and
is more prone to error, it has the countersurveillance advantage that the
operatives are not carrying anything after the transfer and can blend into a
crowd even more easily.
A
variation of the brush pass is the live letter drop, in which one
agent follows a predefined route, on foot, with a prepared report hidden in a
pocket. En route, a second agent unknown to the first agent picks his/her pocket
and then passes the report on unread, either to a cut-out or to an intelligence
officer. This technique presents opportunities both for plausible deniability and for
penetration by hostile agents.
Here's a piece about two agents executing a Brush Pass from the Penumbra Database spy thriller:
Phillips lay on a lounge chair by the
pool, sipping a Bahama Mama and admiring the tall palms. Across the tiled patio
was a makeshift bamboo beach bar with a thick palmetto-thatched roof. A
stairway rose behind it to an unoccupied upper level, but it was veiled by a
terra cotta clay border wall.
It had to be done flawlessly. Corey walked
past her and began ascending the brown-tiled stairway. His coppery-colored
duffel bag masqueraded well with the baked-earth surroundings. Steve Sweeney,
ironically codenamed ‘Brush Pass’, appeared through an opening at the top of
the stairwell and descended, carrying an identical bag. Neither man paused nor
stared at one another; they merely glanced curiously at the pool below them.
If Alexia took a sip from her drink, the
brief encounter would be terminated. She did not. Sweeney’s duffel bag hung
from his shoulder; Corey’s carried his low at knee level, hidden by the wall.
Without breaking stride, Sweeney lowered
his bag to his side just before Corey passed. Neither man stopped, paused, or bent
over. Alexia accidentally knocked three tin ash trays off the table next to her
onto the tile patio. It made a loud clamor. She apologized to those sunbathing
around her. Corey and Sweeney walked their separate ways. No one noticed the
exchange.
Here's a neat video on CNN on how Brush Passes are conducted:
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